佛像
1—清早夹贮漆财神—“夹贮”脱胎为佛造像技法之一，其法用生漆涂刷多次、每次漆干后用生漆糊上麻布，反复多次，待生漆麻布晾干坚硬后掏出泥胎，揭下生漆麻布硬片按原位再次糊牢，底嵌上木板再用生漆麻布封住即成。属漆器工艺当中难度较高之做法，多见于明清宫廷，保存至今极为难得。此佛像整尊工艺精湛，形制古朴，人物比例协调，衣纹线条流畅，包浆醇厚，设色亮丽，堪称夹贮胎佛教造像之精品，遗憾的是手指有残影响了整体品相，但是瑕不掩瑜，仍不失为一件难得的收藏品.2——...印释迦牟尼—此佛像肉髻高耸、宝珠顶严、面庞俊朗、高鼻薄唇、肩胸宽厚、肢体圆浑、腰部细敛，具有挺拔壮硕的特质。手施转...印，作初说法状，衣纹褶皱转折起伏、自然流畅，须弥座上下饰以连珠，束腰内收，莲瓣肥厚饱满，整体工艺表现极为成熟精湛...
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